AP®︎ European History: Topic 8.10 Flashcards
Master key terms and definitions for Topic 8.10 of AP European History – 20th-Century Cultural, Intellectual, and Artistic Developments to help you prep for quizzes and the AP exam.
Friedrich Nietzsche
Critic of Christian morality and universal truth whose claim that “God is dead” warned that declining religious authority could produce nihilism
Critic of Christian morality and universal truth whose claim that “God is dead” warned that declining religious authority could produce nihilism
The belief that life has no objective meaning, moral purpose, or universally valid values
Freud’s theory and method holding that unconscious desires and conflicts shape behavior, investigated through dream interpretation and free association
The model of an orderly, measurable universe governed by universal laws that made physical behavior appear predictable
The 1900 proposal that energy is emitted or absorbed in discrete quantities rather than in a wholly continuous flow
The 1905 theory that space and time measurements depend on relative motion, the speed of light is constant, and mass and energy are linked by E = mc².
Einstein’s 1915 theory explaining gravity as the curvature of space-time
Modern physics describing matter and energy at atomic scales through quantized and often probabilistic relationships rather than complete classical predictability
The 1913 atomic model that applied quantum ideas to the behavior of electrons
A formulation of quantum mechanics using a wave function to describe the probable behavior of particles
The 1927 principle that properties such as a particle’s position and momentum cannot both be known with unlimited precision
Nuclear physicist who directed the team that achieved the first controlled, self-sustaining nuclear chain reaction in 1942
The U.S.-led wartime program that combined science, industry, state funding, and military organization to build atomic bombs
A broad cultural movement that rejected or radically revised inherited conventions through fragmentation, abstraction, shifting perspective, and experimentation
Modernist art that distorted color, shape, and perspective to communicate emotion, anxiety, or subjective experience
Modernist art that fragmented objects into geometric forms and presented multiple viewpoints within one composition
Modernist art using color and form while moving partly or entirely away from recognizable objects and realistic representation
Modernist movement celebrating speed, machinery, youth, violence, and the dynamism of industrial society
World War I-era anti-art movement that used absurdity, chance, collage, and provocation to reject a supposedly rational culture that had produced mechanized slaughter
Postwar movement influenced by Freud that used dreams, unconscious desires, and irrational combinations of images to bypass conscious logic
Architecture favoring practical use, simple geometric forms, and modern materials over historical ornament
German school founded by Walter Gropius in 1919 that united architecture, fine art, design, and industrial production
Picasso’s 1907 painting of fractured figures and multiple perspectives that marked a prewar break with naturalism and conventional beauty
Picasso’s 1937 black, white, and gray painting using fractured figures to express civilian terror after the German and Italian bombing of Guernica during the Spanish Civil War
Literature that disrupted chronology and stable narration through fragmented allusions, shifting viewpoints, linguistic experimentation, and attention to inner consciousness
A literary technique representing memories, sensations, impressions, and associations as they flow through a character’s mind
The generation traumatized or disillusioned by World War I, especially writers who portrayed postwar alienation, cynicism, and purposelessness
The Nazi label for modernist and experimental art condemned as racially corrupt, culturally disordered, or politically subversive
Soviet-mandated art portraying idealized workers, peasants, and party leaders in accessible, heroic forms supporting communist ideology
Ordinary manufactured objects selected and presented as art to challenge conventional standards of beauty, craftsmanship, and artistic authority
Duchamp’s 1917 readymade urinal, submitted as “R. Mutt,” that challenged who had the authority to define an object as art
Women entered war production, administration, nursing, civil defense, resistance, and auxiliary service, challenging traditional gender roles and strengthening demands for political rights without achieving full equality
Wartime sacrifice and mass mobilization widened suffrage and political participation, weakened some class and monarchical hierarchies, and strengthened labor and mass parties, though these gains were incomplete and reversible